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Monday, 20 July 2015

Ginger Root Kills Ovarian & Prostate Cancer Cells Better than Chemo




Ginger Root Kills Ovarian & Prostate Cancer Cells Better than Chemo
Thanks to almost three centuries of the medicinal use of this product and to researches from the University of Michigan, the ovarian cancer cells can now bekilledsame as prostate cancer cells with no toxicity at all. This happens thanks to ginger. This root is truly one of the greatest medicines worldwide. Ginger has been used for treating inflammation and nausea. American Association for Cancer Research’s results presented that every single time you use ginger powder to treat cancer cells, all of the cancer cells die right after being exposed to the compound.
- See more at: http://www.healthyfoodteam.com/ginger-root-kills-ovarian-prostate-cancer-cells-better-than-chemo/#sthash.VRDHljL0.dpuf

 By Christina Sarich 
(a humanitarian and freelance writer)




Thanks to research from the University of Michigan and nearly three centuries of medicinal use, we can now utilize ginger root to not only kill ovarian cancer cells, but also prostate cancer cells with zero toxicity.

Truly among the great medicines of the world, ginger has long been used to treat inflammation and nausea, but the results presented in a session at the American Association for Cancer Research show that in every single instance where ginger powder was used to treat cancer cells, they all died as a result of being exposed to the compound. In medical lingo this is called apoptosis (cancer cell suicide.) When ginger is present, the cells even attack one another, called autophagy.

While ginger has been deemed a great natural remedy for those who are undergoing chemotherapy, it can also be used in larger quantities to treat cancer of its own accord.
Another study showing ginger’s ability to fight ovarian cancer concludes with:
“Ginger inhibits growth and modulates secretion of angiogenic factors in ovarian cancer cells. The use of dietary agents such as ginger may have potential in the treatment and prevention of ovarian cancer.”

Ginger has also been proven to treatprostate cancer. The British Journal of Nutrition published the results of an American study recently in which ginger extract (zingiber officinale) killed human prostate cancer cells while healthy prostate cells were left alone. Whole ginger extract was revealed to shrink prostate tumor size by a whopping 56%. (Researchers used daily oral feeding of 100 mg/kg body weight of ginger extract in rats).

“Remarkably, daily oral feeding of 100 mg/kg body weight of GE inhibited growth and progression of PC-3 xenografts by approximately 56 % in nude mice, as shown by measurements of tumour volume. Tumour tissue from GE-treated mice showed reduced proliferation index and widespread apoptosis compared with controls, as determined by immunoblotting and immunohistochemical methods. Most importantly, GE did not exert any detectable toxicity in normal, rapidly dividing tissues such as gut and bone marrow. To the best of our knowledge, this is the first report to demonstrate the in vitro and in vivo anticancer activity of whole GE for the management of prostate cancer.”

Further adding to the benefits of ginger, the spice has no toxicity when consumed even in high doses, and does not cause people to endure the very uncomfortable side effects of chemo and radiation treatments. The American Cancer Society admits  that more than 15% of men will be diagnosed with prostate cancer, and more than 20,000 American women will be diagnosed with ovarian cancer this year. Many of these cases can be helped with ginger root.

While Big Pharma would have these men and women endure very invasive treatments, some simple ginger root powder can cause their cancer cells to commit a certain death.

Source - naturalsociety.com


The Buddhist Landscape of Varanasi





Sacred Landscapes of South and Southeast Asia

http://easternbookcorporation.com/book/9788173055416/the-buddhist-landscape-of-varanasi

by Vidula Jayaswal
2015, Hardcover, 24 cm., pp. 230, b/w ills., Aryan Books International , 9788173055416,
Price : US$ 18.25 (Airmail shipping US$ 8.00)
Rs. 1095 (Free courier delivery in India)

Lord Buddha came to Sarnath, where he delivered his first Sermon, and paved a stable foundation for Buddhism. Scriptures obviously became the most holy place and a famous Buddhist Pilgrimage. As a result, a large Buddhist landscape came up with Mrigadaya (Sarnath) at the centre. The western side of it was occupied by the learned and wise occupied by the learned and wise immigrants, the residents of Rishipattana.

There are a number of unanswered questions related to the Buddhist landscape of Varanasi, e.g. why did the lord chose to deliver his First Sermon at sarnath, also, when Varanasi was the famous city, why was periphery selected by him? The nature and successive growth of the landscape created around the place of First Sermon also is obscure. The old and recent archaeological investigations carried out in the vicinity of Sarnath have brought to light evidence which provide answers to some of the above questions, and also outline the chronology and growth of this Buddhist landscape.

The present volume is aimed at reaching a larger section of the Society, which is interested in Buddhism and Buddhist sites. Although archaeological and other scientific data has been utilised technical jargon has been avoided. The work is also aimed to promote such specialised attempts in the historical studies, when interpretation of archaeological findings of a holy place is envisaged in its geo-cultural totality.

Kindly send your valued order to :

http://easternbookcorporation.com/books/art-architecture

Thursday, 9 July 2015

NABAKALEBARA OF LORD JAGANNATH







A.K. Pattanayak
2015; pp. viii+72; Size 24cm x 24cm; Copiously Illustrated
ISBN 9788173055454
Price Rs. 995 / US$


Nabakalebara is one of the grandiloquent events associated with the Jagannath temple of Puri. It is a unique Hindu religious festival in many respects, which is beyond normal human perception. Nabakalebara literally means—naba or new and kalebara or body—new body. The new images take the place of old images and the old images are discarded and buried under the ground. This is Nabakalebara for Jagannath, the Lord (Natha) of the Universe (Jagata). In conformity with the belief that Lord Jagannath is truly a ‘Living Deity’ with an astonishingly ingenuous human touch, He moves through the life cycle of death and birth sequences shedding His old body and getting into the new one in a remarkably unique and mystic  ceremony.

      Nabakalebara takes place during the Adikamasa (intercalary month) of Ashadha, when two lunar months of Ashadha fall in one year, as per the Hindu almanac. Such a rare occasion usually occurs once in 12 years, but the gap may range from 8 to 19 years. In the 20th century, Nabakalebara  was celebrated in 1912, 1931, 1950, 1969, 1977 and 1996. This millennium’s first Nabakalebara  festival is being held in 2015. Elaborate rituals, numerous myths and several celestial incidents are attached to this auspicious fair which  fans  religious  fervour  across  Odisha.

      The present volume is a humble attempt in making available to general readers a lucidly written and well illustrated book on this festival. The book covers the event in all its complexity and will be useful to both specialists  as  well  as  lay  readers.

Sunday, 5 July 2015

ABHINAVAGUPTA'S SRI TANTRALOKA AND OTHER WORKS 9 VOLUMES

Abhinavagupta's Sri Tantraloka and Other Works


http://easternbookcorporation.com/book/9788187471868/abhinavagupta's-sri-tantraloka-and-other-works
(The Only Edition with Sanskrit text and English translation 9 Vols)
Tr. By Satya Prakash Singh & Swami Maheshvarananda
2015, ISBN 9788187471868, US$ 304.92)
Rs. 17000 (Free Delivery in India)

About the book :
Tantraloka means light on Tantra-the magnum opus of Abhinavagupta (950-1050 A.D.). Literally Tantra means thread and happens to have been used in one of the earliest usage in the Rgveda (X.53.6) itself in such a deep sense as understanding binding the entire reality together in a single fold of comprehension so beneficial as to transform the human nature of all its baser kind of tendency into the most idealistic form which is known as the divine. This Volume consists of three Chapters, namely, 1,2, and 3. The first Chapter deals with the idea of the Reality as such known as vijnana sattta. Ignorance is the cause worldliness while knowledge is that of liberation; it is not absence of knowledge but absence of it in its integrality. The ultimate object of knowledge is Siva who is of the nature of luminosity and the individual known as jiva is essentially Siva. Consciousness is autonomous in its nature. Luminosity is the basic feature of consciousness. There is the possibility of becoming one with Siva by moving from the earth to Sadasiva by way of assimilation, samavesa. The second Chapter is concerned with deliberation on the way to Siva-hood via the pathless path. Its pathlessness lies in only the initial step suggested by the teacher with the rest of it to follow automatically. It is the kriya yoga which does not require any path to traverse along and is the path of pure consciousness where any action serves as the means of knowledge. The third Chapter deals with Sambhavopaya. The objects get reflected clearly in a clean mirror so does the world becomes reflected in the consciousness provided it has become one with Siva. The force of consciousness is considered as inseparably connected with Siva. The relationship of inseparability between Siva and Sakti produces delight which is the cause of appearance of the world.

Contents :

Vol. 1 : This Volume consists of three Chapters, namely, 1,2, and 3.<BR>The first Chapter deals with the idea of the Reality as such known as vijnana sattta. Ignorance is the cause worldliness while knowledge is that of liberation; it is not absence of knowledge but absence of it in its integrality. The ultimate object of knowledge is Siva who is of the nature of luminosity and the individual known as jiva is essentially Siva. Consciousness is autonomous in its nature. Luminosity is the basic feature of consciousness. There is the possibility of becoming one with Siva by moving from the earth to Sadasiva by way of assimilation, samavesa.<BR>The second Chapter is concerned with deliberation on the way to Siva-hood via the pathless path. Its pathlessness lies in only the initial step suggested by the teacher with the rest of it to follow automatically. It is the kriya yoga which does not require any path to traverse along and is the path of pure consciousness where any action serves as the means of knowledge.<BR>The third Chapter deals with Sambhavopaya. The objects get reflected clearly in a clean mirror so does the world becomes reflected in the consciousness provided it has become one with Siva. The force of consciousness is considered as inseparably connected with Siva. The relationship of inseparability between Siva and Sakti produces delight which is the cause of appearance of the world.<BR>This work for the first time in English along with Sanskrit texts is a valuable asset for scholars, students and researchers of Philosophy, Yoga, Kashmir Saivism, Saivism, practitioners and general readers.

Vol. 2 : Chapter 4 - deals with sakta Upaya - the way to attainment of the Transcendent Reality through the force of Consciousness. Chapter 5 - deals with Al'Java Upaya. It is the way of attainment of the Transcendent by the jiva with its atomicity. Reflection of the Transcendent in the intellect, prana and body is the way to it. Chapter 6 - analyses Essence of Time, analysis of the factor of time, kalatattva. It is Consciousness which appears in space as something external. Chapter 7 - is concerned with with the awakening and blooming of the nerve-centres known as cakras. Chapter 8: This Chapter deals with the problems of manifestation of Consciousness in terms of space, termed as Desadhva.

Vol. 3 : Chapter 8: This Chapter deals with the problems of manifestation of Consciousness in terms of space, termed as Desadhva. Chapter 9: This Chapter has been termed as Tattvasvarupa Prakasanam seeking to determine the form and nature of the Reality.

Vol. 4 : This Volume has four Chapters, namely, 10, 11, 12 and 13. Chapter 10 is devoted to the analysis and enumeration of the basic essences of the system known as the path of tattvas, tattvadhvan. This Volume has four Chapters, namely, 10, 11, 12 and 13. Chapter 10 is devoted to the analysis and enumeration of the basic essences of the system known as the path of tattvas, tattvadhvan. Chapter 12 is known as Anavopaya - Transformation of Individual to Siva-hood. It deals with the problem of transformation or rather restoration of the atomised individual into or to Siva. Chapter 13 is devoted to the idea of Saktipata, Descent of the Force of Consciousness.

Vol. 5 : This Volume includes Chapters 14 and 15 both discuss the process of initiation. Chapter 14 is devoted to delibera!ion on the rite as prescribed in the Sastra. Chapter 15 is concerned with the procedure of initiation as prevailing in the non-dualistic Saivism, Initiation amounts to acquisition of full understanding of the system.

Vol. 6 : Chapters 16 to 27 Deliberation on Teacher's Acts During Initiation Rite of Initiation Beginning from Birth Abridged form of Initiation Prescribed by Lord Siva. Initiation for Immediate Liberation. Process of Initiation of the Ignorant. Initiation in Absentia (Paroksa Diksa). Initiation in Raising the Emblem of Siva (Lingoddharana Diksa).  Rite of Sacred Bath. Deliberation on Post-Mortem Initiation. Post-Mortem Rite According to Trika System.  Duties and Conduct of an Aspirant. Mode of Worship of the Emblem (Linga-Puja).

Vol. 7 : This Volume contains two Chapters. Chapter 28 deals with occasional and incidental rites as well as celebrations, naimittika. This Volume contains two Chapters.<BR>Chapter 28 deals with occasional and incidental rites as well as celebrations, naimittika.

Vol. 8 : This Volume contains eight Chapters, namely 30, 31,32, 33, 34, 35, 36, 37 as well as translation of 13 minor works of Abhinavagupta as appendices. Chapter 30 deals with mantras applicable to Trika system of worship. Chapter 31 is devoted to the process of formation of the circle, mandala. It speaks of sacrifice known as Diimara. Chapter 32 deals with the system of mudrti. Mudra is that which accords delight to the poser concerned. Khecari is the main amongst the mudriis. Chapter 33 is concerned with the experience of the aspirant's oneness with the whole of the world. Chapter 34 indicates to the way of entry into Siva-hood which is the essential nature of the individual. Chapter 35 deals with the problem of concordance of all scriptural provisions on a certain point. Chapter 36 is devoted to the tracing of the tradition of Saivism. Chapter 37 is the last one of the entire enterprise which is addressed to his supreme Lord Siva with the prayer that it is by virtue of His stimulation that the work has reached this end and that therefore it is He Himself who is prayed for giving solace to all those who may go through it.


Vol. 9 : This Volume contains eight Chapters, namely 30, 31,32, 33, 34, 35, 36, 37 as well as translation of 13 minor works of Abhinavagupta as appendices. Chapter 30 deals with mantras applicable to Trika system of worship. Chapter 31 is devoted to the process of formation of the circle, mandala. It speaks of sacrifice known as Diimara. Chapter 32 deals with the system of mudrti. Mudra is that which accords delight to the poser concerned. Khecari is the main amongst the mudriis. Chapter 33 is concerned with the experience of the aspirant's oneness with the whole of the world. Chapter 34 indicates to the way of entry into Siva-hood which is the essential nature of the individual. Chapter 35 deals with the problem of concordance of all scriptural provisions on a certain point. Chapter 36 is devoted to the tracing of the tradition of Saivism. Chapter 37 is the last one of the entire enterprise which is addressed to his supreme Lord Siva with the prayer that it is by virtue of His stimulation that the work has reached this end and that therefore it is He Himself who is prayed for giving solace to all those who may go through it.

Saturday, 27 June 2015

HERBAL INGREDIENTS TO PREVENT CANCER & TUMORS




USE Turmeric, Black Pepper & Olive Oil TO PREVENT CANCER AND TUMORS

If you use these three ingredients every day, almost certainly there is no possibility of getting any kind of tumor.

The recipe is as follows:
Mix 1/4 teaspoon of turmeric with half a teaspoon of olive oil. In doing so, add a pinch of higher fresh black pepper. Mix these three ingredients in a cup.
You can consume this mixture as an addition in a variety of dishes, soups and salads. Just make sure that if you use them in cooked dishes, that these ingredients do not cook too much, it is best to add them to the very end. If you drink them as the recipe states above, mix with a little water.
But what exactly prevents cancer and cancer spread?
All knowledge lies in turmeric. Turmeric is a spice in the form of a yellow powder, which is one of the components of curry.
Its anti-inflammatory abilities are incredibly powerful.
There is no other natural ingredient in the world that is more effective in reducing inflammation in the body.
Recent studies have revealed that turmeric prevents many types of cancer, such as colorectal cancer, prostate cancer, brain cancer.
Turmeric has only one flaw, which is that turmeric is difficult to degrade in the digestive tract. Therefore, the ideal combination for the treatment and prevention of cancer is turmeric with pepper and ginger.
Pepper, according to research increases the efficiency of turmeric for up to 200 percent. In order to successfully prevent cancer and destroy cancer cells, this mixture should be used every day on many occasions.
Use it as often as it has no side effects.
Curtsey greatlifeandmore.com
For books on Ayurveda & Yoga visit us at www.easternbookcorporation.com

Thursday, 25 June 2015

Flora of Telangana





by T. Pullaiah
2015, 25 cm., pp. 1306, ISBN 9788189233983 
Price US$ 133.25 (Free Air Mail Delivery) / Rs. 6995 
(To avail this offer kindly e-mail your order to easternbook@gmail.com)

About the Book : 

The Telangana State has been intensively explored by the author and his scholars for plant wealth during the last 30 years. All the herbaria in India have been consulted for the specimens of Telangana. The first volume include Introduction, Topography and general features, Forests and Vegetation, Past and Present work, Key to the families and systematic enumeration families Ranunculaceae to Alangiaceae. The second volume includes families Rubiaceae to Ceratophyllaceae and Third volume Monocotyledons. Bentham and Hooker’s system of classification has been followed in the enumeration of families with certain exceptions to accommodate recent changes. A dichotomous indented key is given for families, genera and species. A total of 1945 taxa belonging to 1891 species, under 794 genera and 147 families have been enumerated. Under each family key to the genera followed by the genus with its authority, key to the species, followed by species enumearation. The enumeration of species included the complete citation according to ICN, basionym, if any, synonyms to connect Flora of British India, Flora of Presidency of Madras and Flora of former Andhra Pradesh. It is followed by detailed description, distribution in the state, flowering and fruiting period, vernacular names and specimens examined. References, Index to families, genera and species are given at the end.

** For more books on Botany, flora of India, Medicinal Plants visit us at www.easternbookcorporation.com

Tuesday, 23 June 2015

Forms of Devotion The Spiritual in Indian Art





by Sushma K. Bahl
2015, Hardcover,, Niyogi Books , 9789383098828,
Price Including Shipping US$ 181.58 / India Rs. 8000.00
(to avail this offer kindly e-mail your order to easternbook@gmail.com )

About the book :


Forms of Devotion documents a substantive collection of Indian art in the spiritual genre and held in the Museum of Sacred Art. The publication explores an inclusive spectrum of contemporary Indian creativity – classical inspired, tribal, folk and popular arts, reflective of the rootedness and innovation within traditions, as well as new media work in varied manifestations and genres. It features several especially commissioned works and seminal essays by Indian and international experts framed within the context of the history, philosophy and ideology of the culture, the art stems from. The double volume book reflects the diversity and depth of Indian art from varied perspectives and aesthetics. It examines the connection between art and various spiritual ideologies and living traditions as they continue to be practiced and celebrated or questioned by hundreds of artists, from around and beyond the country, in a multi faith context. The artists biographical sketches and their photographs, the bibliography and other reference material, make it a collectors’ delight and a useful stand-alone resource book, first of its kind, on spiritual and devotional Indian art with its multi layered philosophical, mystical and cultural resonance. The book brings forth fresh insights on a subject of universal interest.

Contents: Vol. I: Foreword by Karan Singh; 1. Spirituality and culture: India’s gifts to the world by Martin Gurvich; 2. Acknowledgements by Martin Gurvich and Sushma K. Bahl. Essays: 1. Adi Anadi Anant: continuum by Sushma K. Bahl; 2. Abodes of devotion by George Michell; 3. Imaging devotional theologies by Kenneth R. Valpey; 4. Devotion in art, craft and textiles by Jaya Jaitly; 5. Popular expressions of devotion by Devdutt Pattanaik; Collection A to M; Artists. Glossary. Bibliography. Index. Vol. II: Foreword by Lokesh Chandra. Essays: 1. Dashavatara: The ten incarnations of Vishnu by Steven J. Rosen; 2. Archetypal imagery in neo-tantric painting by Madhu Khanna; 3. Syncretic culture and Islam by Mushirul Hasan; 4. Vernacular Art: work, leisure and devotion in Rurban India by Annapurna Garimella; 5. Methods and materials of traditional painting by Desmond Lazaro; 6. Iti-iti: multiple contemporaries in sacred Indian art by Sushma K. Bahl. Collection N to Z: 1. Artists; 2. Cartographic overview: select devotional art and cultural centres in India.

For more books on art visit us at www.easternbookcorporation.com